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However, when this plan is reported to the Lannisters, they fear that the Tyrells will pose an even greater threat with a member of House Stark as one of their allies and quickly end the idea of the engagement, by betrothing Loras to Cersei and engaging Sansa to Tyrion, which both Sansa and Shae are against. However, the day of the wedding, Tyrion promises not to harm her and, as she prepares to consummate the marriage, Tyrion realizes how unhappy Sansa is and tells her that she doesn't have to consummate it unless she wants to.
When Sansa asks Tyrion what would happen if she never wants him in her bed, he quips: Sansa and Tyrion do form a somewhat friendly relationship, as he is kind to her and treats her well, and she soon realizes there are worse Lannisters to be wed to. However, their cordial relationship suffers a crushing blow when Sansa receives news of Robb and Catelyn's deaths at the Red Wedding, an event orchestrated by Tywin Lannister, Tyrion's father.
Sansa, still distraught over the death of Robb and Catelyn, is approached by Dontos Hollard, a former knight whom Sansa had convinced Joffrey to make his fool instead of executing him. Dontos gives her a necklace, claiming it was his mother's. However, the necklace turns out to be a fake; one of the gems contains the poison which Lady Olenna Tyrell uses to poison Joffrey at his wedding to Margaery Tyrell.
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Baelish smuggles Sansa from King's Landing after both revealing the nature of the necklace and having Dontos killed by crossbow. Lysa initially invites them with open arms, revealing she knows exactly who her niece is, and they are welcome to be housed. It is soon revealed however, Lysa mistrusts the relationship between Sansa and Baelish accusing Baelish of violating Sansa and accusing him of never loving her. Later in the keep, Sansa strikes Lysa's son Robin and Baelish appears.
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Baelish then proclaims his undying love for her deceased mother, Catelyn, and he shares a kiss with a stunned Sansa, with Lysa watching from above. Sansa is immediately summoned to Lysa's throne room, where she believes she had been summoned for striking her son. Lysa reveals she had observed the kiss, and though defending herself and Baelish's actions against her, Lysa holds her to the Moon Door, a trap door that leads hundreds of feet down into the mountains below.
Baelish intervenes before she gets the chance to execute Sansa and pushes Lysa to her death instead as he proclaimed his love for her sister. Then Baelish later claimed to the lords of the Vale that she committed suicide. Sansa is called to give testimony, and although she reveals her true identity, she supports Baelish's story. She then joins Baelish and her cousin Robin Arryn on a tour of the Vale. Though Sansa is reluctant to marry Ramsay, as his father Roose had personally murdered Robb, Baelish persuades her by claiming that the marriage will give her the opportunity to avenge her family.
On the way to Winterfell, they encounter Brienne of Tarth , who had sworn to Catelyn Stark to take Sansa to safety and tries to convince Sansa to come with her; Baelish has her chased off by his men, but Brienne follows Sansa to Winterfell regardless. Though initially charming, Ramsay's sadistic nature becomes apparent when Sansa discovers that he has captured and enslaved Ned's former ward Theon Greyjoy , and forced him to assume the identity of his serving man, Reek.
Sansa and Ramsey wed in front of the Godswood. That night, Ramsey rapes Sansa, and forces Reek to watch. Over the next few days, Ramsay continues to rape and beat Sansa every night, and keeps her locked in her bedchamber. Sansa begs Reek to help her signal her northern allies by lighting a candle in the broken tower. Reek, wishing to spare Sansa from Bolton's wrath, instead tells Ramsay.
He proceeds to flay the maid who had told Sansa of the signal, and forces Sansa to look at her corpse. Furious, Sansa confronts Reek, who admits that he had failed to capture Sansa's brothers Bran and Rickon, and killed two farm boys in their place. While the Boltons prepare to battle Stannis Baratheon 's advancing forces, Sansa signals to Brienne, unaware that she has left to kill Stannis.
When help does not come, Sansa attempts to return to her room but is caught by Ramsay's paramour Myranda, who threatens to mutilate Sansa.
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Finally snapping, Theon throws Myranda to her death, just as the Bolton forces return. Fearful of Ramsay's reaction, Theon and Sansa jump from Winterfell's battlements into the snow. Sansa and Theon are captured by Bolton soldiers in the forest outside Winterfell, but Brienne and her squire Podrick Payne arrive in time to rescue them and kill the Bolton soldiers. This time, Sansa accepts Brienne's loyalty. Sansa tries to persuade Jon to help her drive the Boltons out of Winterfell; although Jon initially refuses, he changes his mind after Ramsay sends a letter to Jon in which he gloats that he holds Rickon Stark captive and threatens to kill the Starks and the Wildlings Jon has let through the Wall if Sansa is not returned.
He insists that he was unaware of Ramsay's nature and offers the support of the Knights of the Vale, also mentioning that her great-uncle Brynden "Blackfish" Tully has captured Riverrun from House Frey.
Sansa sends Baelish away, declaring that she never wants to see him again, but sends Brienne to the Riverlands to convince the Blackfish to aid the Starks. Although Jon and Sansa are only able to win over a handful of Northern lords, Jon insists that they must march on Winterfell, despite Sansa's objections.
Sansa sends a letter to Baelish asking for his aid, and the Vale forces arrive at Winterfell in time to defeat the Boltons. Ramsay is captured and imprisoned with his hounds, and Sansa watches with satisfaction as they devour him alive. In the aftermath of the battle, she and Jon share a moment where Sansa apologizes for not telling Jon about Baelish and the Knights of the Vale.
Jon forgives her but asks that they trust each other completely from now on. Sansa and Jon then share a happy smile when Sansa tells him that Winter is finally here. While in the godswood Baelish confesses his ambition to rule Westeros with Sansa at his side, but Sansa rebuffs his advances. Sansa also ignores Baelish's attempts to drive a wedge between her and Jon, but is surprised when the Northmen and Valemen declare Jon the new King in the North.
Despite this she smiles at him happy that he has been praised. But she stops smiling when she notices Littlefinger glaring sinisterly at her and Jon. Jon travels to Dragonstone to negotiate with Daenerys Targaryen for her support against the White Walkers , leaving Sansa as regent in his absence. Soon after, Bran and Arya return to Winterfell.
Littlefinger seeks to drive a wedge between Sansa and Arya by letting Arya find Sansa's letter to Robb asking him to bend the knee to Joffrey, causing Arya to angrily confront Sansa. Sansa later sneaks into Arya's quarters and comes across the "faces" Arya has taken from the various people she has killed on her travels; Arya catches Sansa and tells Sansa of her ability to assume people's identities with the faces while menacing Sansa with a dagger, before abruptly handing Sansa the dagger and leaving.
Refusing to return to King's Landing, she sends Brienne as her representative.
Sansa later shows Littlefinger the letter she received from Jon following the meeting in King's Landing, in which Jon states that he had pledged his support to Daenerys Targaryen. Littlefinger continues his manipulation of Sansa by claiming that Jon had betrayed the North and Sansa should seize power from Jon, as well as seemingly convincing her that Arya intends to murder her and take her role as Lady of Winterfell. Sansa summons Arya to the great hall and begins an accusation of treason and murder, but surprisingly directs the accusation towards Littlefinger.
With help from their brother Bran now known as Three-Eyed Raven , Sansa and Arya reveal that they are aware of Baelish's lies and treason and reveal his numerous crimes, including his murder of Lysa Arryn, his orchestrating the murders of both Jon Arryn and Eddard Stark, and his manipulating the Starks and Lannisters to war. Finding himself without support, Baelish tries to plead for his life, but Sansa refuses and allows Arya to slit Baelish's throat with his own Valyrian dagger, ending his manipulation and treachery for good.
The Stark sisters later resolve their differences, and acknowledge that the Starks must stand together to survive the winter. As her storyline has progressed, Sansa has received critical acclaim for the development of her character and her emergence from a naive young girl to a strong young woman. Rolling Stone ranked Sansa as No. In an article published on Mic. Thomas went on to say that "in an abusive situation that would break so many people, Sansa survives" and that she has a "woman's courage" that "keeps her alive and in the game where characters like Arya would not last five minutes".
In an article published on MTV. Martin's canon. She's often despised for having no agency, but the way I see it, Sansa is hated for being a woman.
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Unlike Brienne, Arya, Cersei, and Margaery -- models of the "strong female character" archetype—Sansa's passivity denotes weakness. She is the epitome of femininity on Game of Thrones , and therefore, she is dismissed. She was tortured and humiliated for seasons by the unhinged man-boys around her. She's been the subject of everyday sexism and misogyny since day one. And yet, she survives, even as armor-clad heroes fall before her. She is the show's survivor. She continuously endures the pain and humiliation of being a woman in Westeros.
Just because Sansa doesn't wield a sword as fiercely as Arya and Brienne, or command a horde of dragons like Daenerys Targaryen, doesn't make her any less of a hero. Sansa received particular acclaim in Season 6 of the show, during which she began her quest to retake her family home and exact revenge on those who wronged her.
In an interview with The New York Times , actress Sophie Turner said that "she's [Sansa] no longer a pawn in anyone's game; she's no longer a prisoner It's Sansa's first kill and it's such a strong moment for her because all her life she's been affected by these men who have just done such terrible things to her Following the penultimate Season 6 episode, Bennett Madison of Vanity Fair wrote "When Sansa icily reminds her dopey brother that 'No one can protect you', it's because she's always been on her own.
As far back as King's Landing, Sansa's between quietly protecting herself, working on her stitchery while taking cool measure of everything going on around her, learning how to game the system, and slithering through situations that would have gotten the best of the show's more flashy or impulsive characters. In 'Battle of the Bastards', she got to show a little flash of her own; by being defiantly, gloriously correct in her convictions, by saving the day with her foresight and savvy, and by feeding Ramsay to the dogs.
The show puts social boundaries on the women, and they break out of these boundaries.
Sansa Stark - Wikipedia
In the episode " Unbowed, Unbent, Unbroken ", Sansa's rape was the main subject of controversy for the season's deviations from the books. The majority of professional criticism concerned the decision to have Ramsay rape Sansa on their wedding night, with most critics describing the scene as gratuitous and artistically unnecessary. But edgy plots should always accomplish something above pure titillation or shock value and what, exactly , was accomplished here? Club wrote, "The issue with the show returning to rape as a trope is not simply because there have been thinkpieces speaking out against it, and is not solely driven by the rational concerns lying at the heart of those thinkpieces.
Other critics responded positively to the scene.
Sean T. Collins of Rolling Stone wrote: They handled it well tonight, telling a gothic tale of innocence sacrificed". Some critics questioned why this scene in particular should generate outrage when similar scenes have not. Sara Stewart of the New York Post pointed out that the rape and sexual abuse of both female and male characters is typical for Game of Thrones: Criticism of the scene has not extended to the quality of the acting.